1921 Man Ray was enlisted to help Marcel Duchamp create his feminine alter ego, named Rrose Selavya - a bad pun on a rose c'est la vie. In one of the photos, another collaborator is present, albeit without the viewer's knowledge. Francis Picabia's second wife, Germaine Everling, loaned Duchamp not only the hat and fur-lined coat that he wears in the photo but also her dainty hands, which she uses to push the coat's collar around the artist's face while hiding the rest of herself from view. 1922 Collaborates on first edition La Coeur a barbe
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